Cristian Pentelescu

Hourglass-sculpture-cristian-pentelescu




Critical References


Monumental by vision and not necessarily by size, the works displayed by Cristian Pentelescu bring together abstract routes and recognisable shapes, shining surfaces and areas where the material was assaulted, defeated and stopped in its ascending tracks, broken or cut off shapes which beg for mental extensions and prolonged shapes closing on themselves, ephemeral separations or combinations difficult to argument and maintain, a world switching between the real and unreal, between concrete and metaphor, between the admiration recourse and known shapes and a highly filtered, even censored inventiveness.

      The sculptor is drawn to moments of balance, of tranquillity, which he records in the aforementioned creative and selection process, and they are not in short supply; he is aware, as we are all aware, that sand bleeds out of the hourglass until it is extinct, but it only records and conveys the fact at hand, without being torn by the thought of irrecoverable time loss (actually, the shape may be reverse); the result is a harmonious and easy on the eye sculpture, suggestive and missing pathetic gestures, with an implicit moral conclusion, but without being prominent or obtrusive. The “Ball of Yarn” was ordered according to three visible and predictable routes. “The Ring” is a gift of hospitality. “The Couple” lingers unperturbed, “The Gate” is, of course, the long awaited opening, but the threshold is so high that it seems unpassable, and its curved shape unloads the weight on the side walls, decayed by time; in a different perspective, the compact volume narrow the passing, but do not suppress it; the third gate in this exhibition is displayed in marble – a sign that the motif represents a direction of ongoing searching and thoroughness – minimises and geometrises the gap one could step through, giving the perception that the artist is ever watchful, quantifying, observant, clarifying. I don’t think that sculpture features a more unsettling iconographic theme than the one called „Pietà” (the Virgin Mary holding her dead son in her lap), rendered in the biggest galleries of the world and in our imaginary museums in unique representations. In the case of Cristian Pentelescu and in the work displayed in this exhibition, the lifeless body of the son, with his face turned towards the dust has become part of the cosmic balance, while the ravishing pain of the mother has transformed, for each of us, in an arch protector. With a demureness unjustified by the achievements of his works – but belonging to the man and thus is all the rarer – Cristian Pentelescu constructs a plastic universe full of visual lures and coups, a world of tranquil thought and aspiration towards formal perfection, a universe where craft becomes art, and art – craft (tékhne), as it occurred long ago, as a marvel, in Hellas – Doina Pauleanu PhD, art critic and director of the Constanta Art Museum




Resume


Date and place of birth: December 25, 1958, Arad

PROFESSIONAL EXPERIENCE, EDUCATION AND TRAINING:

1985 – Graduate of the Cluj-Napoca Institute of Fine Arts, Sculpture Section, the class of Prof. Artur Vetro

1990 – Member of the Union of Fine Artists

1990 – Sculpture teacher at the “N. Tonitza” High School of Fine Arts Bucharest

2010 – Doctor of Visual Arts

Exhibitions within the Country:

1977–1983, takes part in county exhibitions in Arad

1983–1985, exhibitions in Cluj-Napoca

1984–2010, takes part in republican, municipal, exhibitions, small sculpture salons and sculpture drawing salons

Group Exhibitions within the Country:

2014 – Bucharest - Brancusi Hall - Parliament – Arts Salon 5th Edition - Reasons

– Bucharest - Brancusi Hall - Parliament – Autumn Salon

– Bucharest - ARTS IN BUCHAREST 2014 – Simeza Gallery

– Bucharest – WINTER SALON 2014 – Simeza Gallery

2013 – Cluj–Bistrita, Art Museum, Fire Arts

– Sibiu – Astra Museum, Contemporary Art Exhibition

– Bucharest - Simeza, Engraving – Sculpture Salon

– Bucharest - Brancusi Hall - Parliament - Arts Salon 4th Edition - Reasons

– Bucharest – Winter Salon 2012 OBJECT-PRESENT

– Bucharest - ARTS IN BUCHAREST 2012

2012 – Bucharest, Caminul Artei, Bucharest Salons

– Bucharest, Simeza Gallery, Sculpture Salon

– Chisinau – Moldova Salons

– Unexpected mix of art works – Veroniki Art Gallery - Bucharest

2012 – Exhibition of the Sculptors of the “Nicolae Tonitza” High School of Fine Arts – Constanta Art Museum

2011 – Bucharest – Caminul Artei – Sacred Art Exhibition

– Autumn Salon, Bucharest – Simeza

– Art Biennial in Arad, Meeting Point, 3rd Edition – Itinerary Exhibition Hungary, Czech Republic and Croatia

2010–2011 – Small sculpture salon, Bucharest

2009 – Art Biennial in Arad, Meeting Point, 2nd Edition – Itinerary Exhibition Hungary, Czech Republic and Croatia

2003–2009 – Exhibition of the Sculptors of the “Nicolae Tonitza” High School of Fine Arts

1996 –Orizont Gallery, Bucharest

1988 – Wood Sculpture, Dalles Hall, Bucharest

1983–1984 – participation in student exhibitions, Cluj-Napoca

Group Exhibitions Abroad:

1993–1995 – Ravenna, Italy

1993 – Copenhagen, Denmark

1994 – Geneva, Switzerland

1992 – Abenraa, Denmark

Personal Exhibitions:

2015 – Senso Gallery Bucharest

2014 – Tulcea Art Museum

2013 – Constanta Art Museum

2010 – Triade Gallery, Timisoara

2010 – Delta Gallery, Arad

1994 – Geneva, Switzerland

1991 – Galateea Hall, Bucharest

Sculpture Symposiums within the Country:

2013 – Targu Jiu – Brancusiana – marble (120x60x39 cm)

2011 – Pitesti, marble (300x140x80 cm)

2009 – Pitesti, marble (280x120x80 cm)

2008 – 2012 – Aiud, marble (60x50x70 cm)

2007 – Dragasani, Rm. Valcea, marble (190x160x80 cm)

2006 – Baia-Mare, stone (300x140x140 cm)

2006 – Cluj-Napoca, marble (200x100x80 cm)

2005 – Pitesti, marble (140x150x200 cm)

2005 – Balaci, marble (330x140x100 cm)

2004 – Balaci, marble (310x90x100 cm)

2000 – Bucharest, marble (260x120x150 cm)

1996 – Oarba de Mures, stone (230x100x80 cm)

1990 – Lazarea, stone (100x90x80 cm)

1988 – Covasna, wood (350x120x140 cm)

1987 – Sângeorz-Bai, marble (150x80x70 cm)

1985 – Oarba de Mures, stone (130x120x70 cm)

Sculpture Symposiums Abroad:

2007 – Majdanpek, Serbia, metal (small fine arts)

2007 – Macedonia, drwaing

2006 – Viena, Austria, stone (150x110x60 cm)

2005 – Mersin, Turkey, stone (300x140x140 cm)

2004 – Castelraimondo, Italy, Carrara marble (200x100x100 cm)

Publicly Displayed Monumental Works:

2011 – “I. L. Caragiale” - Bucharest, bronze, 95 cm

2008 – “N. Teodorescu” - Braila, bronze, 90 cm

2007 – “Dobrin”, bronze, Pitesti, 130 cm

2007 – “Radu de la Afumati”, Targoviste Contest

2006 – “Marcela Penes”, bronze, Bucharest, 120 cm

1991 – “Stefan cel Mare”, bronze, Cernauti, 110 cm

Reliefs:

2010 – “Margareta Sterian”, Bucharest, commemorative plate

2002 – “I. Mihalache”, bronze, PNT Headquarters, Bucharest

2002 – “I. Maniu”, bronze, PNT Headquarters, Bucharest

Awards:

1988 – Award for Sculpture, Republican Youth Salon, Dalles Hall, Bucharest

Works in Private Collections: Germany, Denmark, Switzerland, France, Portugal, USA.